Why I Shoot Infrared (It's Not What You Think)
Infrared takes the wall down. In infrared, the world stops behaving the way you expect. Foliage that should be green turns violet, or crimson, or gold. Skies shift into tones no eye has ever actually seen unaided. The "rules" of what a landscape is supposed to look like simply stop applying — and in that space, I found room to make images that felt less like documentation and more like translation. Not a translation of the scene in front of me, but of whatever was happening in me at the time I pressed the shutter.
The Wilds: When the Distance Disappeared
What began as a familiar journey across an expansive Ohio landscape became a series of unforgettable encounters—with patterned zebras, a curious giraffe, and the quiet presence of a massive rhinoceros. A photographic reflection on what happens when the distance between observer and animal disappears.
Discovering the Ancient Cypress Forest of Caddo Lake, Texas
Drift through Caddo Lake’s bald cypress wetlands as infrared and visible light transform Spanish moss, amber water, and twilight into a dreamlike photographic journey.
The Electric Edge - Brooms Island, Maryland
In Maryland, storm clouds gathered with startling speed, and through infrared they ignited into otherworldly reds and silvers. I stepped onto a weathered dock that felt like a threshold—wood and pilings holding their ground as the sky began to churn. With only seconds to frame the moment, I chose to meet the storm instead of retreating, trusting that the most powerful images arrive when we say yes at the edge of something vast.
